America’s got its own Lupin the Third now, in a slick wolf form: A review of The Bad Guys
The Bad Guys is Dreamworks’s newest feature directed by Pierre Perifel and based on...
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Review: The reasons why Everything Everywhere All At Once has people everywhere talking all at once about it
So here’s A24’s answer to what it’d be like if they produced their own...
Review: Nick Cage’s manic spirit makes the action-comedy Weight of Massive Talent more than Bearable
If one is simply going by films like Face-Off, Vampire’s Kiss, Wicker Man and...
My Dress Up Darling – Why it’s Loved
It’s been a few weeks since My Dress Up Darling has ended it’s debut...
Review: Sonic 2 booms with a deeper hero, higher stakes, and Easter eggs for long time fans
It’s interesting how Sonic the Hedgehog 2, Paramount’s sequel to his 2020 box office...
Review: The new drama Bel-Air works best when it tries to be soapy instead of symbolic
Peacock’s new reimagining Bel-Air takes a bit of time to figure out what it...
Spring Anime Season 2022
The spring season of anime approaches and it’s time to fulfill my duties of...
Review: Turning Red isn’t just a Whole Lotta Red, it’s the rare toon that shows girls just being themselves
It’s one of the most agonizing experiences a teenage girl could ever imagine going...
Review: When The Batman snarls “I’m vengeance” he’s not wrong, but there are more layers to him in his latest movie
While browsing YouTube one night I came across a video essay from the IMO...