Review: Wonder Woman’s 1984 is more hopeful than Orwell’s, but far more bloated than her big screen debut
The one thing I found especially striking about Wonder Woman 1984, the follow-up to...
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Review: Jingle Jangle’s version of holiday spirit will lighten up any Scroogees or Grinches
It seems like so many of my preferred annual Christmas movies are non-traditional. I...
Review: Hulu’s Run turns a mother’s obsessions into a fight for survival
Two years ago, I had some pretty positive feelings about Searching, a John Cho-led...
Review: Animaniacs still finds plenty to poke fun at in the Generation Z era
The showrunners for the new Animaniacs episodes on Hulu publicly state they’re willing to...
Review: Enola Holmes’ range and sense of fun keep it from feeling too elementary
There’s a bit of controversy surrounding Enola Holmes, a new film adaption of author...
All the poor girl wanted was a steak, but instead she became a star: A review of Aggretsuko, Season Three
The newest and third entry of Netflix’s workplace animated comedy Aggretsuko has a number...
Review: Bill and Ted Face the Music rocks its humor as hard as you’d hope after three decades
In the newest and third Bill and Ted movie, Face The Music (directed by...
Review: Christopher Nolan made his own 007 movie in Tenet, and it’s as intriguing and bizarre as you think it is
After three delays due to the 2020 pandemic and tons of hype from the...
Review: Why the wild and wacky Birds of Prey deserved better marketing and more attention
So I checked out Birds of Prey, the Warner Bros. comic film directed by...